Taking “Walks at Brush Creek” from Wyoming to Michigan

Posted in Landscape Music, performances on October 25th, 2017 by Nell

Composing at Brush Creek, September 2017.

My artist residency at Brush Creek Foundation for the Arts for two weeks in September was simply a phenomenal privilege and gift.

It inspired me to compose my first piece for solo piano (way, way past due!). It was my first opportunity to spend countless hours and miles walking by myself through an expansive landscape of astonishing beauty. (I took, literally, a thousand photographs.) I challenged myself to compose on the trail, and at the piano, away from my beloved (and sometimes constraining) Finale. This solitude was complemented by stimulating conversations at group meals, campfires, and sunset-watching sessions with fascinating fellow artists and new friends. I also got to learn more about horses, rodeo, and ranching from an expert and to watch horse wranglers at work (research for my upcoming “feminist rodeo opera” for HGOco).

Falcon's Peak at Brush Creek Ranch, September 2017.

(See more photos from Brush Creek Ranch.)

These experiences will live on through my latest work, Walks at Brush Creek (2017) for solo piano. Here’s my program note for this piece:

Walks at Brush Creek was inspired by my daily walks through rural Western scenery as an Artist-in-Residence at Brush Creek Foundation for the Arts, located on a ranch in southeastern Wyoming abutting Medicine Bow National Forest. In the spirit of John Muir, I slowly “sauntered” for many miles on foot trails and dirt roads snaking through forests, valleys, and hills, and tried various approaches to combining this active mindfulness—a walking meditation, of sorts—with my creative process. The best days were when I generated melodies and motives on-the-move in the morning and fleshed them out at the piano in the afternoon. Walks at Brush Creek is the fruit of these experiments. With this score, I offer a musical illustration of my emotional responses to the landscape of Brush Creek Ranch—from the ever-shifting cloud shadows playing over the grasses and sagebrush to the sweeping lines of wooden fences that frame them.

I’m delighted to say that World Premiere of Walks at Brush Creek will be given at Michigan Technological University by faculty pianist Jon Ensminger on upcoming concert Music of the Landscape: Compositions Inspired by Our National Parks and Other Special Places. This event was coordinated by composer Libby Meyer in affiliation with my group, the Landscape Music Composers Network.

Sunday, December 10, 2017, 3:00pm
Michigan Technological University, McArdle Theatre
Walker 207, 1400 Townsend Drive, Houghton, MI 49931
Tickets: $5
Tickets and venue information

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Quintet of the Americas Performs “Watercolors” at Parrish Art Museum 11/11

Posted in art and music, performances on October 24th, 2017 by Nell

Quintet of the Americas

Saturday, November 11, 2017, 5:00pm
Parrish Art Museum
279 Montauk Highway, Water Mill, NY 11976
Tickets start at $200 / $150 Members
Tickets and venue information

My work for wind quintet, Watercolors (2011), returns to the Parrish Art Museum in The Hamptons on November 11. This performance by the internationally acclaimed Quintet of the Americas will kick off the museum’s anniversary benefit party—five years after Watercolors was performed at their grand opening in November 2012!

Watercolors for flute, oboe, clarinet, horn, and bassoon was inspired by the watercolor paintings of Charles E. Burchfield (1893-1967)—including one in the Parrish’s permanent collection, which will be on display in the galleries in conjunction with this concert. (Learn more about the connection between Burchfield’s art and my music here.)

Long recognized as leading interpreters of folk and contemporary wind quintet music of North and South America, Quintet of the Americas has spent over three decades commissioning over 70 works, performing over three hundred concerts throughout the United States, and in Canada, the Caribbean, South America and Eastern Europe, and recording eight CDs. It will be an amazing honor to have my music performed by this group!

Inspired by the natural setting and artistic life of Long Island’s East End, the Parrish Art Museum illuminates the creative process and how art and artists transform our experiences and understanding of the world and how we live in it. The Museum fosters connections among individuals, art, and artists through care and interpretation of the collection, presentation of exhibitions, publications, educational initiatives, programs, and artists-in-residence. The Parrish is a center for cultural engagement, an inspiration and destination for the region, the nation, and the world.

How wonderful to think that this will be the fourth time my music has been performed at the Parrish Art Museum. (See blog posts from the first time in 2012, second in 2013, and third in 2016.)

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“The Betterment Society” at New York Theatre Workshop 10/30

Posted in music for theater, performances on October 24th, 2017 by Nell

THE BETTERMENT SOCIETY
Written by Mashuq Mushtaq Deen
Directed by Jessi Hill
Music composed by Nell Shaw Cohen
Performed by Jade Wu, Lynda Gravatt, Zoe Winters, and Matt Consul

Monday, October 30, 2017, 3:00pm
New York Theatre Workshop
79 E. 4th St, New York, NY 10003
Free admission
Venue information

Join me for this public reading of brilliant new play The Betterment Society by Mashuq Mushtaq Deen. I composed a song for voice and guitar that is threaded throughout the structure of the play.

Of this play and workshop reading, Deen writes:

“Three women on a godforsaken mountain.” This abstracted piece is curious about how place affects values, and how this in turn affects the divide between rural and urban value systems in America. It ask questions about the ways in which “community” can liberate us and/or imprison us. (And it’s also about three really fucking strong women.)

There’s something I’m trying to understand about the audience’s response so if you can come, your presence will be TANGIBLY helpful to me. There will be a brief conversation afterwards. I hope you can join us.

I first collaborated with Deen in the New Dramatists Composer-Librettist Studio last winter. Deen then invited me to work on The Betterment Society, which was developed through workshops at New Dramatists and a weeklong PAGE 73 Yale Summer Residency this past August.

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