“Mabel’s Call” at University of New Mexico in 2018

Posted in Mabel's Call, performances, Uncategorized on June 21st, 2017 by Nell

The University of New Mexico Logo

I’m very honored to announce that the University of New Mexico in Albuquerque will be presenting a full-length workshop of my opera Mabel’s Call—with the full score for six soloists, chorus, and seven-piece chamber ensemble—as UNM Opera Theatre’s Fall 2018 semester production! I can’t wait to work with stage director Leslie Umphrey, music director Kristin Ditlow, and their talented students, as UNM Opera Theatre Composer-in-Residence. Performance dates TBA.

Tags: , , ,

“Mabel’s Call” opera event on June 18 in Taos, NM

Posted in Mabel's Call, performances on June 1st, 2017 by Nell

Ad for Mabel's Call: Celebrating a Remarkable Taos Woman through Music
On June 18, 2016, the Mayor of Taos, New Mexico declared the first annual “Mabel Dodge Luhan Day,” to occur on the third weekend of June. He noted that “Mabel Dodge Luhan was one of, if not the most prominent and globally known resident of our community from 1918 to 1962, serving as our unofficial ambassador, mentor and host to the arts, to the outside world and to many of the most talented, influential, and well known figures of her lifetime.”

In celebration of the second annual Mabel Dodge Luhan Day weekend, the Harwood Museum of Art and The Mabel Dodge Luhan House are presenting a behind-the-scenes look at Mabel’s Call: my new chamber opera that dramatizes Luhan’s self-reinvention in Taos.

I look forward to joining leading Luhan scholar Lois Rudnick in this public conversation and opera video screening, titled Mabel’s Call: Celebrating a Remarkable Taos Woman through Music. We will screen and discuss video clips excerpted from a concert workshop performance of the opera-in-progress, which was filmed live at the Harwood Museum in 2016. I’ll be shedding light on the process of interpreting Luhan’s life and historical context through music. Audience Q&A will follow.

The event will take place Sunday, June 18, 2017, 2:00pm in the Harwood Museum of Art’s Arthur Bell Auditorium in scenic Taos. Admission is free and open to the public. Seating is limited. For venue information, visit the Harwood Museum of Art.

ABOUT THE OPERA

Inspired by the life of Mabel Dodge Luhan, Mabel’s Call is a lyrical opera in one act scored for six soloists, chorus, and chamber ensemble, with music and libretto by Nell Shaw Cohen. A universal tale told on an intimate scale, this work probes themes of identity, love, home, spirituality, and the search for a meaningful life. The opera’s story will resonate with audiences everywhere—even while it is deeply rooted in the culture, history, and physical landscape of Taos, New Mexico in the 1910s and ‘20s. The Harwood Museum of Art and American Opera Projects have presented workshops of Mabel’s Call in Taos and New York City, respectively. To hear clips from the opera and learn more about the project, visit mabelscall.com.

Tags: , , ,

“Dai-Shizen (Great Nature)” at Unitarian Church of Marlborough and Hudson

Posted in Landscape Music, performances on March 26th, 2017 by Nell


Chiura Obata, “Mono Crater, Sierra Nevada, California”

Sunday, April 2, 2017, 10:30-11:30am
Unitarian Church of Marlborough and Hudson
80 Main St
Hudson, MA, 01749
Free and open to the public
Venue Website

A performance of Dai-Shizen (Great Nature) (2014) will be given by Gabriela Ruiz, flute, and Devin Ulibarri, guitar, at the Unitarian Church of Marlborough and Hudson during a Sunday worship service on April 2, focusing on nature and environmental themes. Distribuição de flores by Heitor Villa-Lobos will also be performed.

Dai-Shizen (Great Nature) for flute and guitar looks at nature through the eyes of a visual artist: Chiura Obata (1885-1975). It is my musical response to Obata’s journey through landscapes, as seen through his artworks, in three movements: California, Topaz, and Sunset.

Obata’s woodblock prints and watercolors from the 1920s and ‘30s show some of the most extraordinary visual representations of Yosemite National Park ever created, from El Capitan to Mono Lake. The natural landscapes of California were this Japanese-American immigrant’s greatest inspiration.

Obata and his family were then imprisoned for over a year in internment camps during World War II, primarily in Topaz, Utah. Despite demeaning conditions, Obata strove to bring meaning into the lives of those around him. He founded an art school with his fellow internees and created stunning, emotionally charged watercolor paintings juxtaposing the dreary manmade structures of the prison camp against broad expanses of desert, mountains, and fiery sunsets.

In composing this piece, I was particularly inspired by Obata’s ability to follow his philosophy of dai-shizen (Great Nature)—nature as a source of artistic inspiration and spiritual harmony—throughout the best and worst moments of his life.

* * *

To preview this work, watch a video of the World Premiere performance at Boston GuitarFest in 2014. To view some of the artworks by Chiura Obata that inspired my music, check out this online gallery from the Fine Arts Museums of San Francisco.

Tags: , , , ,

Reflection on New Dramatists Composer-Librettist Studio

Posted in performances on February 4th, 2017 by Nell

New Dramatists in NYC

This past winter, I had the pleasure of participating in the Composer-Librettist Studio: a two-week laboratory facilitated by Nautilus Music-Theater. This program has been filling the halls of playwright organization New Dramatists with new musical theater and opera for 33 years. (My very first composition teacher, Kim D. Sherman, was a participant in the inaugural Composer-Librettist Studio!)

On February 3, 2017, I was delighted to share the fruits of a gratifying (and exhausting) couple of weeks spent immersed in working with playwrights, performers, and composers in this deep-dive, rapid-production, hackathon-style workshop for music-theater collaborations. Collectively, we generated 25 new works in two weeks—all of which were performed in one epic afternoon.

My five collaborative music-theater works for voices and piano told the stories of a young woman captivated by a storm (Chase the Rain, written with Erin Courtney); an entomologist and a moth (Fly ’till the light’s gone, written with Sam Chanse); Edmund and The White Witch (Turkish Delight, written with Monet Hurst-Mendoza); two men ready to give up on online dating (Not Sure it’s in Me, written with Jennifer Haley); and a wanderer looking for home in the constellations (Fallen Star, written with Mashuq Mushtaq Deen).

These works were developed and performed with outstanding singer-actors Sean Cooper, Mallory Hawks, Joshua Hinck, Tim Jerome, and Lucia Rodrique, led by the brilliant and indefatigable team of facilitator-dramaturg Ben Krywosz, music director Roger Ames, and coordinator Dina Vovsi. My composer colleagues Ed Cionek, Emily Gardner Hall, Kailey Marshall, and Jonathan Russ were also inspiring to learn from and share with.

Tags: , ,

New Videos: “Refuge” Premiere and Landscape Music Interview

Posted in Landscape Music, new recordings on November 7th, 2016 by Nell

The concert I curated for the Parrish Art Museum last September featured NYC-based chamber quartet Cadillac Moon Ensemble in a program of music written by members of the Landscape Music Composers Network celebrating the National Park Service centennial. It was tremendously gratifying to see a year’s planning come to fruition and to receive such a great audience turnout and response.

Nell in The East Hampton StarWe received coverage in several publications, including The East Hampton Star, which featured an article about my work on the front page of their Arts & Living section.

This event included the World Premiere of my wildlife conservation suite, Refuge, written for Cadillac Moon Ensemble. You can now watch the performance online!

I also had the opportunity to sit down with three fellow composers, who traveled from all around the country to participate in this event. We had a fascinating and wide-ranging conversation about the processes, goals, and challenges of writing music inspired by nature.

Tags: , ,

“Mabel’s Call” in New York City

Posted in Mabel's Call, performances on September 26th, 2016 by Nell

Six Scenes collage image

COMPOSERS & THE VOICE: SIX SCENES

Friday, September 30 | 8:00pm
South Oxford Space
138 South Oxford Street
Brooklyn, NY 11217
Tickets $10

Sunday, October 2 | 2:30 PM
National Opera Center – Rehearsal Hall
330 7th Ave, 7th floor
New York, NY 10001
Tickets $20

More Information & Tickets

An excerpt from my opera-in-progress inspired by the life of Mabel Dodge Luhan will be featured this weekend on Six Scenes: an exciting showcase presented by American Opera Projects.

This concert previews the future of opera with an evening of scenes from six operas developed during AOP’s latest season of Composers & the Voice, the Brooklyn-based fellowship training program that I’ve been privileged to participate in since Fall 2015.

Two scenes from Mabel’s Call will be performed by Tookah Sapper, soprano, as Mabel Dodge Luhan; Blake Friedman, tenor, as Maurice Sterne; and Kyle Guglielmo, baritone, as Tony Lujan, with music director Mila Henry.

Tags: , ,

Video of “Mabel’s Call” in Taos

Posted in Mabel's Call, new recordings on September 26th, 2016 by Nell

Enjoy this video compilation of a few special moments from last month’s workshop presentation of Mabel’s Call at the Harwood Museum of Art in Taos, featuring an ensemble of New Mexico-based performers.

Presented in conjunction with the museum’s exhibition Mabel Dodge Luhan & Company: American Moderns in the West, it was a wonderful evening with a great audience!

Tags: , , ,

Concert Presentation of “Mabel’s Call” in Taos

Posted in Mabel's Call, performances on August 9th, 2016 by Nell

Bringing Mabel Dodge Luhan to Life through Opera. Friday August 12, 2016, at 5:30pm at the Harwood Museum of Art. 238 Ledoux Street, Taos, NM 87571. Admission $20/$16.

The Harwood Museum of Art is presenting an evening of scenes and arias from my opera-in-progress, Mabel’s Call, in conjunction with the Harwood Museum’s major traveling exhibit about Mabel Dodge Luhan and her circle. This workshop concert performance will be integrated into a lecture I’m giving about the process of writing the opera.

“Bringing Mabel Dodge Luhan to Life through Opera” is receiving great coverage from New Mexico Magazine, the Taos News, KRZA Radio, and the Mabel Dodge Luhan House blog.

Music from Mabel’s Call will be featured again in New York City on September 30 & October 2 as part of American Opera Project’s Six Scenes program.

Tags: , ,

May 13 & 14 in New York City: “First Glimpse”

Posted in performances on April 26th, 2016 by Nell
Composers, librettists, singers, and music directors of Composers & the Voice. Photo by Steven Pisano (Source).

 Friday, May 13 & Saturday, May 14, 2016 at 8:00pm
South Oxford Space, 138 South Oxford St., Brooklyn, NY 11217

Tickets: $25 general admission, $20 for students/seniors (Purchase online)

I’m honored to be a part of COMPOSERS & THE VOICE: FIRST GLIMPSE 2016, a presentation of World Premiere songs and arias from American Opera Projects’ fellowship program for emerging opera artists, directed by Steven Osgood.

The concert will feature AOP’s fantastic Resident Ensemble of Singers and Music Directors in performances of works created by myself and my colleagues in Composers & the Voice: Composers Matthew Barnson, Carlos R. Carrillo, Marc LeMay, Cecilia Livingston, and Sky Macklay and librettists Edward Einhorn, Duncan McFarlane, Emily Roller, and Mark Sonnenblick.

My works included on the program are:

Tony Teaches Me, an aria from an opera I’m writing based on the life and memoirs of Mabel Dodge Luhan. Performed by Tookah Sapper, soprano and Charity Wicks, piano.

Dear Mrs. Carr, a letter from John Muir to his beloved mentor. Performed by Blake Friedman, tenor and Charity Wicks, piano.

What If?, a playful “found text” piece that contemplates the darker side of Google. Performed by Jonathan Woody, bass-baritone and Mila Henry, piano.

More information at www.aopopera.org

Tags: , ,

Landscape Music Comes to Boston on April 15

Posted in Landscape Music, performances on April 7th, 2016 by Nell

Chiura Obata, "Mono Crater, Sierra Nevada, California" (1930)Chiura Obata, “Mono Crater, Sierra Nevada, California” (1930)

Landscape Music Composers Network is a project I started last year bringing together composers from across the country who create music inspired by landscape, nature, and place. We’re kicking off our inaugural concert season in 2016—the centennial year of the National Park Service—starting in Boston on April 15.

The epic landscapes of Zion, Grand Canyon, and Yosemite will be brought to life in New Music of Our National Parksconceived and presented by violinist/composer Rachel Panitch. The concert features several outstanding Boston-based musicians and ensembles in performances of new chamber music inspired by national parks, written by members of the Landscape Music Composers Network.

The program includes Dai-Shizen (Great Nature), inspired by the artwork of Chiura Obata, which I wrote for Alicia Mielke and Devin Ulibarri (below) in 2014.

Alicia Mielke   Devin Ulibarri

Check out the concert preview on Landscape Music, which explores each of the works on this program.

April 15, 2016, 8:00pm
Advent Library Concert Series
The Church of the Advent
30 Brimmer St (corner of Mount Vernon St)
Boston, MA
$10 suggested donation
Tags: , , ,