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Selected Works
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Chamber Music / Vocal Music / Large Ensemble / Chronological List

Into nowhere
I - listen to mp3
II - listen to mp3
III - listen to mp3
(Total duration: ca. 18.5 mins)

"I had nothing but to walk into nowhere and the wide sunset space with the star." - Georgia O'Keeffe

I will be using the first movement as the score to a video-in-progress (see my blog for more info).

Ridge Davis, Flute
Christopher Mothersole, Bb Clarinet
Asher Severini* and Wesley Chu**, piano
Samantha Bennett, Violin
Joanna Wiebe, Cello

* first and second movements
** third movement

Composed February-April 2010
Premiered April 20, and May 4, 2010, at New England Conservatory in Boston, MA


(L-R: Wesley Chu, Ridge Davis, Chris Mothersole, Nell,
Joanna Wiebe, Samantha Bennett)


(Asher Severini and Nell)

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Trees
I. Eucalyptus - listen to mp3
II. Redwood - listen to mp3
III. Curly Willow - listen to mp3
(Total duration: ca. 8.5 mins)

This is an arrangement of a work for two oboes with harpsichord, originally scored for six-part flute choir (four C flutes with alto and bass). It was written last summer for the San Francisco State University Flute Choir, who premiered the first movement in August 2009 as part of a program of music by American composers.

Heather Shelley, Paul Lueders, Oboe
Sojourner Hodges, Harpsichord

Composed July-August 2009, Arranged January-February 2010
Premiered February 22, 2010, at New England Conservatory in Boston, MA

(L-R: Heather Shelley, Paul Lueders, Nell, Sojourner Hodges)

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Duet
I - listen to mp3
II - listen to mp3
III - listen to mp3
(Total duration: ca. 7.5 mins)

A set of playful, virtuosic duets for flute and bassoon.

Adam Eccleston III, Flute
Nathan Landes, Bassoon

Composed October 2009, November-December 2010
First movement premiered October 27, 2009; second and third movements premiered January 26, 2010, at New England Conservatory in Boston, MA

(L-R: Nathan Landes, Nell, Adam Eccleston)

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Nine Muses (click title for mp3)

For flute
Euterpe (the delightful one)
Muse of music and lyric poetry
Thalia (the blossoming one)
Muse of comedy and bucolic poetry

Melpomene (the chanting one)
Muse of tragedy

For harp
Calliope (the beautiful of speech)
Chief of the Muses and Muse of epic poetry

Polyhymnia (the singer of many hymns)
Muse of sacred song, oratory, lyrics, singing, and rhetoric

Terpsichore (the dancing one)
Muse of choral song and dance

For violin
Clio (the glorious one)
Muse of history

Erato (the amorous one)
Muse of love or erotic poetry, lyrics, and marriage songs

Urania (the celestial one)
Muse of astronomy

(Total duration: ca. 13.5 mins)

Three sets of miniatures for solo instruments inspired by the Greek Muses. Read the program note.

Anne Gregory, Flute
Maria Rindello Parker, Harp
Audrey Wright, Violin

Composed February 2009
Premiered March 10th, 2009 at New England Conservatory in Boston, MA

(L-R: Nell with Anne Gregory and Maria Rindello Parker; Audrey Wright not pictured)

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The Course of Empire
I. The Savage State - listen to mp3
II. The Pastoral State - listen to mp3
III. Consummation - listen to mp3
IV. Destruction - listen to mp3
V. Desolation - listen to mp3

(Total duration: ca. 15 mins)

A string quartet inspired by Thomas Cole's cycle of paintings by the same name. Read the program note and see the paintings with the music.

Tetrachord

Quan Yuan, Violin
Jennifer Wey, Violin
Matthew Davies, Viola
David Meyer, Cello

(2008-2009 Honors Ensemble at New England Conservatory.)

Composed November-December 2008
Premiered February 24th, 2009 at New England Conservatory in Boston, MA

(L-R: Jennifer Wey, David Meyer, Nell, Quan Yuan, Matt Davies)

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The Promise - listen to mp3
(Duration: ca. 11 mins)

I chose the combination of trumpet and string quartet for a lush semi-orchestral feeling, reminiscent of the string and brass-oriented textures in an early Baroque orchestra. The first section features call-and-answer echoes between the trumpet and the violins, one of which plays offstage (a reference to Monteverdi). Each of the instruments stay primarily within their low and middle ranges for a warm, centered timbre.

The exact meaning of the piece is intended to be open-ended, but it is a general expression of hope and determination; a promise that one makes to others, and to oneself.

Diana Wensley, Trumpet in Bb
Amy Galluzzo, Violin
Jennifer Wey, Violin
Samuel Gold, Viola
Ginevra Ventre, Cello

Composed Feburary-March 2008
Premiered November 25th, 2008 at New England Conservatory in Boston, MA

(L-R: Ginevra Ventre, Jennifer Wey, Nell, Sam Gold, Amy Galluzzo, Diana Wensley)

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Time-Lapse - listen to mp3 - view pdf score
(Duration: 3:50)

The concept of this work is essentially in the title: it's meant to give the sense of a length of time (hours, days or years) passing in a condensed period.

Jacqueline Leclair, English Horn
Bill Kalinkos, Clarinet in Bb
Chris Jenkins, Viola
Leigh Stuart, Cello

(Members of Alarm Will Sound, Fireworks Ensemble and Invert.)

Composed October 2007
Recorded November 2007 at John Kilgore Sound & Recording in New York, NY
Engineered by John Kilgore

Recording "Time-Lapse"

(L-R: Chris Jenkins, Nell, Jacqueline Leclair, Bill Kalinkos, Leigh Stuart)

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