This video and music piece inspired by a cross-country train trip, created for the NYU Contemporary Music Ensemble, was given an excellent premiere performance with video projection on April 28 in the Frederick Loewe Theatre at NYU. Now you canwatch the video online with live musical recording. I hope you enjoy it!
Horizon: New York #1 & #2 – Dance & Music Films Online
The audience at my April 29th recital saw the world premiere screening of version #1 of Horizon: New York, a short film I created featuring wonderful dancer-choreographer Callie Lyons and cellist Fjóla Evans. There are actually two versions of the video, shot in two different locations in Brooklyn (Brooklyn Bridge Park and Prospect Park), both of which are now available for viewing online.
Premiere of Commissioned Work at Boston GuitarFest
When guitarist Devin Ulibarri – who I previously collaborated with in 2011 on Triptych – asked me to write a piece for him and flutist Alicia Mielke relating to Boston GuitarFest‘s theme of “American Odyssey,” I gravitated towards the woodblock prints and ink and watercolor paintings of the Japanese-American artist Chiura Obata (1885-1975).
Devin and Alicia will premiere my Obata-inspired composition Dai-Shizen (Great Nature) at the Emerging Artists concert on the 9th annual Boston GuitarFest on Saturday, June 28 at 3:00pm in New England Conservatory’s Jordan Hall. Visit the Boston GuitarFest website to learn more about the concert.
The Coming of Spring: Success
Thank you to everyone who came out to see my recital and the staged workshop production of one-act monodrama The Coming of Spring on April 29. This was an extremely special evening for me and the audience response was very rewarding!
The performance was well documented and I’ll be sharing video and audio excerpts with you in the near future.
Save the dates: new music and multimedia works of mine will be presented on two different concerts in New York City on April 28 and 29 (see below for details). I hope you will join me!
The Coming of Spring and Multimedia Works
Tuesday, April 29, 2014 at 8:30pm
Provincetown Playhouse
133 MacDougal Street, New York, NY
Free and open to the public (no tickets needed)
Charles E. Burchfield, Wind Blown Asters, 1951
My Master of Music graduating recital at NYU will feature a full-length, staged workshop performance of The Coming of Spring and screenings of multimedia works.The Coming of Spring is my one-act monodrama for tenor, accompanied by flute, oboe, clarinet, horn, bassoon, and piano, based on the artworks and writings of visionary American painter Charles E. Burchfield (1893-1967), who was also the inspiration for my wind quintet Watercolors. This is my largest compositional undertaking to date (ca. 36 minutes) and the overarching focus of my time at NYU.
This workshop performance is being created by a group of outstanding professional artists, including conductor David Rosenmeyer, an advocate for opera and new music with companies and orchestras in the U.S. and abroad (notably as Associate Conductor of the Oratorio Society of New York); stage director Herschel Garfein, who is also a composer and GRAMMY® award winning librettist; tenor Tyler Lee, who will portray Burchfield; and The Chelsea Quintet, which gave wonderful performances of Watercolors at the Parrish Art Museum, joined by pianist Alice Hargrove.
Horizon: New York is a short film collaboration with two extraordinary colleagues of mine at NYU: dancer-choreographer Callie Lyons and cellist Fjóla Evans.
I originally composed the music for solo cello for performances at the Parrish Art Museum in November 2013. I was delighted to see this work reinterpreted by cellist Fjóla Evans and reinvented through Callie Lyons’ choreography and solo dance performance (conceived specifically for this film). With my father Burt Cohen, I filmed Fjóla and Callie in three locations around New York City to create this short film.
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NYU Contemporary Music Ensemble Premieres California Zephyr
Monday, April 28, 2014 at 7:30pm
Frederick Loewe Theatre
35 West 4th Street, New York, NY
Free and open to the public (no tickets needed) View this event on the NYU website
In June 2013, I traveled from New York City to San Francisco by train. I departed from NYC on Amtrak’s Lakeshore Limited line and transferred to the California Zephyr in Chicago.
The California Zephyr, which journeyed westward via the Rocky Mountains and Sierra Nevada, is a classic train famed for its scenic views. With a camera pointed at the window along the way, I attempted to capture the scenery’s transitions from farmland to mountains to desert.
California Zephyr, created for the New York University Contemporary Music Ensemble, summarizes my three-day journey on the Zephyr in eight minutes of music and video. Neither a film score nor a music video, California Zephyr features equally prominent music and video that I produced simultaneously, in dialogue with each other.
UPDATE: The recording of this performance is now available, below!
As Composer-in-Residence with the NYU Symphony, I will receive the honor of having a newly commissioned work for orchestra, Point Reyes from Chimney Rock, premiered on Monday, March 3, 8:00pm at the Skirball Center for the Performing Arts, 566 LaGuardia Place, New York, NY, the preeminent venue for the presentation of cultural and performing arts events for NYU and lower Manhattan. The concert will also include works by Britten, Tchaikovsky, and my colleague Kyle Tieman-Strauss.
While Point Reyes is my sixth composition for large ensemble, it’s the first to be publicly performed. I hope some of you will be able to share this special moment with me.
About the Music
A tone poem inspired by the coastal landscape of the San Francisco Bay Area where I was born and raised, Point Reyes from Chimney Rock takes its title from a woodblock print by contemporary artist Tom Killion (www.tomkillion.com), which I received as gift from my parents in Summer 2013.
The print depicts a view of Point Reyes, the peninsula jutting into the ocean north of San Francisco, from which the rugged Pacific can be seen on one side of the rocky, grass-frosted land mass, and Drake’s Bay on the other. Wild irises and grasses in the foreground appear to tremble in a brisk wind, while the water’s horizon and a looming orange-red sky stretch far into the distance.
Killion’s artwork, along with my personal experiences walking in this and similar environs on the Point Reyes National Seashore, informed the sound world I strove to create within the orchestra. This landscape is broad and sweeping on the large scale, yet delicate and intimate in the details; it is bold yet ethereal, in both sunshine and fog. My love and yearning for this place is embedded in the music.
Sunday, November 24, 2014 at 8:00pm UrbanAnimals NYU Provincetown Playhouse
133 MacDougal Street, New York, NY.
Free admission. Full program information on Facebook.
On the first concert of this series dedicated to presenting new works by current NYU graduate students, tenor Tyler Lee and pianist Alice Hargrove will be previewing an excerpt from my one-act monodrama The Coming of Springinspired by the writings and paintings of Charles E. Burchfield (1893-1967). The performance will include a video projection.
Tyler and Alice will be joined by The Chelsea Quintet to present a staged workshop production of the full score this spring. Stay tuned for details!
This weekend, in celebration of the Parrish Art Museum”˜s one-year anniversary in its new location, cellists Karlos Rodriguez and Richard Vaudrey will each perform in the Harriet and Esteban Vicente Gallery (on Saturday, November 9 and Sunday, November 10, respectively). The musicians will both feature Horizon for solo cello, which I composed for this occasion.
Having presented wind quintet Watercolors last year at the grand opening of the new Parrish Art Museum, I’ve written Horizon to celebrate and reflect on the aesthetic quality of the Parrish’s building and the surrounding landscape.
Watch the World Premiere performance by Karlos Rodriguez below!
Karlos Rodriguez made his orchestral debut at the age of thirteen to great audience and critical acclaim and has since performed as an avid soloist, recitalist, and chamber musician. He has appeared at many of our important musical venues, including Carnegie Hall (Isaac Stern Auditorium), Merkin Concert Hall, Avery Fisher Hall, Alice Tully Hall, Philadelphia’s Kimmel center, The Kennedy Center and Radio City Music Hall. Mr. Rodriguez has worked with distinguished artists such as the Beaux Arts Trio, and the American, Cavani, Cleveland, Emerson, Guarneri, Juilliard, Miami, Orion, Tokyo, and Vermeer String Quartets; and Janos Starker, Lynn Harrell, and Steven Isserlis. He has attended and been a guest artist at the Great Lakes Chamber Music Festival, Grand Canyon Music Festival, ENCORE School for Strings, Sarasota, Aspen, and Kneisel Hall Chamber Music Festivals, Cleveland Chamber Music Society, and the Philadelphia Orchestra Chamber Music Society. His teachers have included Richard Aaron, Peter Wiley, and David Soyer. Mr. Rodriguez has been featured internationally on TV and radio with multiple broadcasts on APM’s Performance Today. He is on the faculty at Summertrios and the Sphinx Performance Academy. Mr. Rodriguez has worked on various Broadway musicals and Pop albums, most recently with Shakira and Marc Anthony. In addition to these musical activities he is former Principal Cellist of the Florida Grand Opera Orchestra in Miami and cellist of the The Catalyst Quartet. He is prize winner of the 2012 Bergamo Classical music award (Switzerland). He proudly endorses Pirastro Strings.
Brooklyn based Australian cellist Richard Vaudrey is quickly becoming a notable force in the new breed of string players, classically trained and proficient across a multitude of genres. Originally from Melbourne, Australia, Richard was a scholarship holder at The Australian National Academy of Music before heading to the United States, where he completed doctoral study in classical cello performance and contemporary improvisation at SUNY Stony Brook, studying with Colin Carr and Ray Anderson whilst acting as Teaching Assistant to the Emerson String Quartet. Richard has had a prolific background in chamber music and performs regularly both as a soloist and collaborator across a multitude of genres including classical, new music, jazz, folk and pop in venues including Carnegie Hall, 92Y Tribecca, the Stone, Alice Tully Hall and the Harvey Theatre, BAM. Richard’s latest solo project “VAUDREY” a unique blend of post chestral-indie-dub -folk-pop for cello voice and electronics has this year been showcased in Sydney, Melbourne (Toff in Town) and New York City (Rockwood Music Hall, Pianos). The show also pays homage to the late Arthur Russell, a huge influence on Richard’s own compositions and the subject for Richard’s Doctoral Research. Richard is Adjunct Professor of Cello at Western Connecticut State University, and a member of the Numinous Ensemble, Indie band all boy/all girl and plays “The Beleura Cello” – a 1791 William Forster cello generously loaned by the Tallis Foundation. He currently resides in Brooklyn.
October 18, 2013 at 7:30pm NYU Mix: NYU Percussion Ensemble
New York University Frederick Loewe Theatre 35 West 4th Street, New York, NY. *Free Admission* View the event on NYU’s website
This concert will include the world premiere of my Three Decorations (2013) for percussion trio, presented by the NYU Percussion Ensemble (directed by Jonathan Haas) in collaboration with the Program in Music Composition.
Three Decorations is a work for three percussionists in three movements: Column (Ancient Trees Rising), TrencadiÌs (Shards of Color), and Tapestry (Cozy Castle). Each movement is a musical response to, or evocation of, a favorite image of mine from European decorative art: first, the tree-like vertical extensions of cathedral columns; second, the colorful, asymmetrical style of mosaic popularized by Antoni GaudÃ; third, some grand tapestry covered in millefleur designs warming the walls of a dark 15th century castle.
Three Decorations is my first foray into writing for drum set in a chamber music context. As a former rock drummer, I opted to utilize the kit in similar ways I would in a popular music idiom: to create groove, accentuating and supporting the interlocking syncopations heard in the pitched instruments.
Sunday, October 13, 2013 at 3:00pm
Tufts University Distler Performance Hall, Granoff Music Center 20 Talbot Ave, Somerville, MA. *Free Admission* RSVP on Facebook
This Sunday, those of you in the Boston area will have a chance to hear Proclaiming Pan,the interdisciplinary program presented by flutist Elizabeth Erenberg and an ensemble of some of Boston’s finest musicians, scholars, and actors. The performance will combine music, literature, and theater to sound the stories of Greek mythology.
Nine Muses (2009), my set of nine miniatures for flute, violin, and harp—performed by Gabe Terracciano and Maria Rindenello Parker, respectively—will be included on this program in its fourth public performance.
Each movement of Nine Muses take its title and musical character from one of the nine Muses of Greek mythology. The Muses are goddesses who were thought to personify and inspire art and knowledge and are often referenced in Western art and literature (especially in epic poetry). Nine Muses was premiered at New England Conservatory on March 10, 2009. I am honored that Elizabeth Erenberg has given these miniatures continued life through Proclaiming Pan.
“Nell’s extraordinary interdisciplinary vision…was an ideal program to introduce the public to the Museum’s collection through music and images. Two “standing room only” performances [of Watercolors] were met with high praise from attendees. The Director of the Museum cited this event as one of the best of the opening weekend.” Andrea Grover,Curator of Special Programs, Parrish Art Museum
“I am so glad someone has at last given voice to what one imagines Burchfield might have been hearing in so many of his watercolors. Congratulations on bringing Burchfield alive in a way that I think he would have much appreciated.” Richard Kahn, art collector
“Your music illuminated Burchfield’s paintings for me.” Audience member
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I’m happy to report that The Chelsea Quintet’s performances of Watercolors at the Parrish Art Museum in the Hamptons were an all-around success. We received a great audience response and turnout, with about 400 people hearing Watercolors and viewing selected videos from Beyond the Notes in the Museum’s new Lichtenstein Theater.
Watercolors received several preview articles and photographs in regional and local papers, including Newsday (the country’s highest-circulation weekday newspaper in a suburban area); The Sag Harbor Express; and The East Hampton Star, which printed a large feature article about my music (read it here). The Parrish Museum’s grand opening as a whole received notable publicity in The New York Times, New York Magazine, et al.
Now you can re-live the Parrish Art Museum concert or experience it for the first time! I’ve posted an HD video of one of The Chelsea Quintet’s November 10th performances on YouTube:
Thanks to the generosity of some awesome and fantastic funders, my fundraising campaign to support The Chelsea Quintet‘s performance of Watercolors this Saturday at the Parrish Art Museum was a great success: contributions have brought the campaign to 126% of my fundraising goal! Combined with the funding provided by the Museum, this makes it possible to compensate the five musicians and cover transportation and production expenses.
The generous supporters of this campaign, whose contributions ranged from $15 to $200, are:
Anonymous (2)
Daniel Gagne
Andrea Grover
Kevin Morgan
Dorothy Reilly
John Resig
Nancy Weekly
If you haven’t had a chance to contribute yet, you can still make a difference: all of the funds raised in excess of my goal for the Parrish Art Museum performance will help cover the expenses of my next (TBA) project bringing Music Inspired by Art into a gallery or museum venue. This is an ongoing project that needs continual support to thrive.
If you contributeby Saturday, November 10, 11:59PM Pacific Time you can still receive some neat perks, which include a DVD with over an hour of video from performances of my “Music Inspired by Art;” a personalized CD of my music; a special-invitation high tea at my apartment; and even a commission of a short piece of music.
Watercolors at the Parrish is already attracting some great feedback and press: The Sag Harbor Express included an article on the event in their Thursday, October 25 print edition announcing that I would be “Christening the Parrish” with the performance (click here to read a scan of the article). Nancy Weekly, leading Charles E. Burchfield scholar and curator at the Burchfield Penney Art Center, comments on the Indiegogo campaign: “Nell Shaw Cohen deserves superlative praise for her compositions inspired by art, particularly her understanding of Charles E. Burchfield’s rapport with nature.”
Inspired by the paintings of Charles Burchfield Performed by The Chelsea Quintet The Parrish Art Museum Water Mill, NY
Saturday, November 10, 2012
12:30pm & 2:30pm
Free admission
I’m thrilled to announce another exciting performance of my music inspired by art coming up this November. I’d also like to ask that you consider helping me make this special project a reality.
The Parrish Art Museum, est. 1898,a prestigious museum in the Hamptons, will open the doors of a brand new facility this November. To celebrate the public opening on November 10, the Museum has chosen to feature two performances of my piece Watercolors for wind quintet (flute, oboe, clarinet, horn, and bassoon) inspired by the watercolor paintings of Charles Ephraim Burchfield (1893-1967).
Watercolors will be performed by a wonderful ensemble of accomplished musicians, The Chelsea Quintet. The group’s affiliated parent organization, The Chelsea Symphony, is the resident symphony orchestra of the Chelsea neighborhood of New York City.
Read more about this concert and how you can help on my Indiegogo campaign page, which includes a video trailer and more information about the venue, musicians, and the music!
* The Indiegogo campaign lists a number of suggested donation levels that have special “perks” — gifts and special opportunities I am offering as thanks — but remember that you or your friends can donate any amount, whether it’s $5 or $55!