hudson river school – Nell Shaw Cohen

August 1, 2011August 10, 2011

Peabody Essex Museum concert: success!

Rehearsal at PEM with projections of Thomas Cole's paintings

“The Course of Empire” at the Peabody Essex Museum on Saturday, July 30, was a success! The four performers (members of string orchestra A Far Cry), Liza Zurlinden, Ethan Wood, Jason Fisher, and Alexei Gonzales did a beautiful job of interpreting my string quartet. The group performed in Morse Auditorium beneath a large projection of the five paintings (provided by PEM), which were switched in real-time to correspond with each movement.

The music was preceded by a brief introductory video compiled from clips of videos I produced for Beyond the Notes, which provided context for Cole’s paintings and my musical “transmutation” of them (as curator Linda Ferber at the New-York Historical Society put it).

I made video and audio recordings of the performance, and will post clips online in the near future.

We counted roughly 140 people in the audience between the morning and afternoon concerts. That’s a great turnout for an event of this nature, and was bolstered by some remarkable publicity: the concert received a preview in the Boston Globe (read a scan of the article or see it on the Globe’s website) by Classical Notes columnist David Weininger. The article took up a full-page spread on p. 5 of the Arts & Entertainment insert on Friday, July 29. Weininger had the following to say about my companion website, Beyond the Notes:

“Far more extensive than the usual site devoted to an event or artwork, it contains not only reproductions of the Cole paintings and program notes, but a full performance of the piece and loads of information connecting the music and art.”

The concert took place in conjunction with the opening of Painting the American Vision, a special touring exhibit of 45 paintings by 19th century American landscape painters of the Hudson River School. This was the kind of event I’m really passionate about producing–an event that brings together art forms in what is both an artistic expression and an educational experience for audiences. I look forward to developing similar collaborations with art museums in the future.

Nell with the performers. (L-R: Ethan Wood, Alexei Gonzales, Nell, Liza Zurlinden, Jason Fisher)

July 9, 2011July 11, 2011

Members of A Far Cry to perform “The Course of Empire” at the Peabody Essex Museum on July 30!

I’m thrilled to announce that I will collaborating with members of A Far Cry, Boston’s leading string orchestra, to present my string quartet The Course of Empire, which was inspired by the suite of five paintings by great 19th c. artist Thomas Cole. For the first time ever, the quartet will be performed directly in front of the paintings themselves! The performance will coincide with the unveiling of the first Beyond the Notes multimedia companion website, which explores the Course of Empire paintings and music in depth.

Thomas Cole, Destruction (1836) from The Course of Empire

The concert is being presented by the Peabody Essex Museum in Salem, MA on Saturday, July 30, 2011, with two performances at 11:00am and 3:30pm in the special exhibit galleries (free with museum admission). The event is part of the Inspired by the Land festival, held in conjunction with the opening of national touring exhibit Painting the American Vision featuring 45 landscape paintings by Cole and his contemporaries.

The Course of Empire will be brought to life by four musicians who perform regularly with A Far Cry: Liza Zurlinden and Ethan Wood, violin; Jason Fisher, viola; and Alexei Gonzales, cello. Founded in 2007, the groundbreaking self-conducted string orchestra has enjoyed a heady ascent toward the highest ranks of today’s new generation of classical ensembles. Hailed by the Boston Globe as “thrilling,” “intrepid” and “brilliant,” A Far Cry explores the traditional boundaries of classical music, experimenting with the ways it is prepared, performed, and experienced. A Far Cry was recently appointed Chamber Orchestra in Residence at Boston’s Isabella Stewart Gardner Museum. Visit www.afarcry.org for more.

The concert will coincide with the premiere of multimedia companion Beyond the Notes, which I’m producing with the support of an Entrepreneurial Grant from New England Conservatory (my first E-grant supported the production of The Faraway Nearby). The Beyond the Notes website and mobile app for The Course of Empire will be up and running in the very near future, and I will be posting on my blog, twitter, and sending out a newsletter announcing its release. Please keep an eye out for that!

Screen capture of The Course of Empire multimedia companion — Screen capture of the upcoming multimedia companion

The website/app will feature a comprehensive guide to the paintings and music, featuring audio of the string quartet and 23 short videos exploring the historical, artistic, and intellectual contexts for Thomas Cole’s five paintings, and illuminating how Empire fueled my creative process and musical decisions.

The videos include extensive excerpts from my interview with the awesomely knowledgeable and articulate Linda S. Ferber, Vice President and Senior Art Historian of the New-York Historical Society (sponsor of the touring exhibit and permanent home of the Empire paintings). My favorite quote from Ms. Ferber: “A string quartet composed to The Course of Empire is very natural, when you think about it. Thomas Cole was very musical…I think he would be immensely pleased to find his paintings transmuted into musical form.”

May 30, 2011June 1, 2011

A Thomas Cole Pilgrimage

Yesterday I traveled back to Boston by way of Catskill, NY, for the second leg of my Beyond the Notes road trip (see my previous post for info about the Charles Burchfield portion of this trip). I went to Catskill in search of inspiration, information, and footage for my upcoming web video segment on the 19th century Hudson River School painter Thomas Cole and his cycle of five monumental paintings, The Course of Empire (the inspiration for my string quartet of the same name).

: Filming the Hudson River at Olana

I set out with the goal of filming and photographing the region where Thomas Cole painted, found inspiration for many of his landscapes, and founded the Hudson River School. Using the Hudson River School Art Trail as my guide, I visited Cedar Grove, the painter’s home from the 1830s up to his death in 1848 and now the Thomas Cole National Historic Site. I also visited Olana, the former home of Frederic Edwin Church, another Hudson River School painter who studied with Cole; and the Kaaterskill Falls and surrounding country, a popular subject for Cole and his contemporaries.

While at Cedar Grove, I took a guided tour and stepped foot in his studio, study, and bedroom, and learned about his life and family. At the time, the family owned considerably more land than the historic site now occupies, and two additional studios on land adjacent to the main home have since been destroyed. (One will be reconstructed in the coming years.) Although it was entertaining and interesting to get a glimpse into history, it was the landscape that I felt would really hold the key to Cole’s world.

Thomas Cole, Falls of the Kaaterskill (1826)

The land around Olana provided some stunning views of the Hudson River Valley, and I was lucky enough to hit upon beautiful weather. The drive into the Kaaterskill Clove and to the Kaaterskill Falls took me about 14 miles further into the Catskills up a winding mountain road, which was crawling with visitors swimming and sightseeing. I had some difficulty finding the views identified in the Trail Guide, particularly a clear view of Kaaterskill Clove, and I suspect that some locations that used to be ideal viewpoints have since become overgrown with trees.

The trip into the Catskills was scenic, and it was easy to see why a painter might be inspired by the country. Still, I never quite found a landscape view that completely evoked, for me, the grandeur and the intensity of the images produced by Cole and contemporaries. These artists freely applied their imaginations and the Romantic ideals of the Sublime and the Picturesque to their images which, it seems, are truly larger than life.

If you’re interested in seeing more of Thomas Cole’s paintings from this region, among other locales, I recommend this excellent resource: explorethomascole.org

Next week I’ll be traveling to New York City to film an interview Linda S. Ferber, Senior Art Historian at the New-York Historical Society, and an expert in Thomas Cole and the Hudson River School artists.